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Madame Polina
tells the story of the 19th century love affair between the Russian novelist
Count Ivan Turgenev and the Spanish/French opera singer Pauline Viardot.
The relationship was a classic menage à trois, since Pauline's
husband was both her impresario, and Turgenev's French translator. The
kernel of the menage à trois (which Pauline wants to conceal,
and Turgenev wishes to expose), is the paternity of her child Paul, and,
as an attempt to force the issue, Turgenev presents Pauline with his illegitimate
daughter by a peasant girl, Paulinette, to look after. Notice the proliferation
of names beginning with Paul... here, and it's all true ...
This play is also a tale of
revolution, the first act centring around the revolutions of 1848, the
second around the Paris Commune of 1870/71. The link is that Turgenev
when young was a close friend of the world's first terrorist and anarchist
Prince Mikhail Bakunin, with whom he shared rooms when they were both
studying at Berlin University in the mid-1840s. Which is where the play
begins...
Cast: 5 men, 5 women, plus
extras!
Production history: Edinburgh
Festival 1984 (earlier version, under the title Viardot), Genesius
Guild, New York, 2003 (revised version, under the title Madame Viardot)
Download: Word
pdf Thoughts
(pdf)
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